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Ako gledate trailere ili gameplaye sa računara čiji je ekran manjih razmera tj manjih od 1920x1080 da bi ste videli ceo trailer trebate umanjiti stranicu dok vam trailer nestane u polje.To ćete uraditi tako što idetie ctrl- (ctrl minus) a povećate na ctrl+ (ctrl plus)
I u koliko vam ne učita odma stranicu osvežite je na F5!


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kliknite OVDE da bi ste se registrovali i otvorili profil.

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Ukoliko imate problema sa registracijom ili oko bilo čega drugog kliknite OVDE Pošaljite poruku i dobićete povratnu na dati imejl, u što kraćem mogućem roku.
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POŠTO SAM JA OVDE JEDINI ADMINISTRATOR (JER NEĆE NIKO DRUGI DA BUDE) TRUDIM SE KOLKO MOGU DA ODRŽIM OVAJ FORUM. OTKAD SU OBRISALI MOJ UPLOAD TORRENT (LINK) SAJT IZGUBIO SAM VOLJU ZA RADOM JER MI JE TREBALO PUNO RADNIH SATI DA SVE TO UBACIM NA UPLOAD SAJT PA DA LINKOVE ISPREBACUJEM OVDE. SAD SAM POŠAO I NA FAKS PA ZAISTA NEMAM DOSTA VREMENA DA VODIM OVAJ FORUM. AKO NEKO ŽELI ADMINA PA DA GA VODI UMESTO MENE NEK SE JAVI U PORUKU VRLO RADO ĆU GA DATI. TOLIKO OD MENE I IZVINJAVAM SE ŠTO NISAM USPEO DA NAPRAVIM OVAJ FORUM DA BUDE SAVRŠEN I DA KORISNICI BUDU ZADOVOLJNI, KAO ŠTO SAM PLANIRAO TO DA URADIM. JOŠ JEDNOM, KO ŽELI ADMINA NEK MI SE JAVI PORUKOM.
------------------------------
Još nešto važno:
Ako gledate trailere ili gameplaye sa računara čiji je ekran manjih razmera tj manjih od 1920x1080 da bi ste videli ceo trailer trebate umanjiti stranicu dok vam trailer nestane u polje.To ćete uraditi tako što idetie ctrl- (ctrl minus) a povećate na ctrl+ (ctrl plus)
I u koliko vam ne učita odma stranicu osvežite je na F5!


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Subtitle Chaplin -

Beyond his performance, Chaplin was a visionary filmmaker who demanded total creative control. As a co-founder of United Artists, he was one of the first true auteurs, writing, directing, producing, and even composing the scores for his films. This singular vision allowed him to tackle increasingly bold themes. In Modern Times (1936), he satirized the dehumanizing effects of mass production, and in The Great Dictator (1940), he used the power of his platform to deliver a searing indictment of fascism, proving that the "clown" could be the most serious voice in the room.

Chaplin’s genius lay in his ability to weave pathos into comedy. In masterpieces like The Kid (1921) and City Lights (1931), he didn't just aim for laughs; he aimed for the heart. He understood that the funniest moments often arise from the most desperate circumstances. By portraying a social outcast who maintained the manners of a gentleman despite his rags, Chaplin turned the Tramp into a mirror for the working class, reflecting their struggles and their quiet triumphs against a world that often sought to ignore them. subtitle Chaplin

Charlie Chaplin’s legacy is not just found in the iconic silhouette of the Tramp, but in the very grammar of modern film. He taught us that cinema could be both a grand spectacle and an intimate confession. By finding the "extraordinary in the ordinary," Chaplin ensured that his silent movements would continue to echo through history, reminding every generation that even in the face of hardship, a well-timed shuffle and a tip of the hat can be an act of defiance. Beyond his performance, Chaplin was a visionary filmmaker