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: The singing involves an Avagraha (starting the song slightly after the beat), which is a common characteristic in traditional Kandyan singing.

: A melodic introduction used to establish the sound scale. Kaviya : The poetic verses (lyrics) describing the subject. Kasthirama : A rhythmic conclusion of a section. Seeru Maruwa : A transitional movement. Adauwa : A final, high-energy dance sequence. Musical and Performance Characteristics : The singing involves an Avagraha (starting the

The phrase refers to the specific lyrical content or the closing verses often associated with the singing of this vannama . In the context of Sri Lankan folk and classical music, these lyrics often emphasize the completion or the "ending" ( nima ) of the rhythmic cycles or stories being told. OLCreate: PUB_3599_1.0: 11 Savula Vannama | The Rooster Kasthirama : A rhythmic conclusion of a section

: Today, it is a key part of the national curriculum for dance and music students in Sri Lanka, often featured in Grade 13 and O/L practical exams. "Asala Wana Nima" Musical and Performance Characteristics The phrase refers to

: Most Kandyan vannam are believed to have been composed during the reign of King Sri Weera Parakrama Narendra Singha. They were likely written by a scholar named Ganithalankara , with the assistance of a monk from the Malwathu Viharaya, to be performed in the royal court ( Kavikara Maduwa ). Structure and Composition

Like other Kandyan vannam , the Savula Vannama follows a specific seven-part structure: : The basic rhythmic beat. Berapadaya : The drum sequence.