: The 1992 Saturday Night Live performance, where she tore up a photo of Pope John Paul II to protest clerical child abuse, is treated as the film’s seismic climax. The film frames this not as a career-ending "breakdown," but as a deliberate act of artistic and moral courage.
: Released shortly before O’Connor’s death in 2023, the film serves as a poignant final word on her legacy, highlighting her role as a "torchbearer for vulnerability". Nothing Compares(2022)
: The film won Best Irish Feature Documentary at the Galway Film Fleadh and the Audience Award at the Belfast Film Festival. : The 1992 Saturday Night Live performance, where
The film delves into the specific forces that shaped O’Connor’s iconoclastic identity: : The film won Best Irish Feature Documentary
: It traces her turbulent childhood in Dublin and her early years in a Magdalene Asylum, establishing her lifelong battle against the Catholic Church's power.
