"" (The Good Girls) is a landmark of Mexican social commentary, originally published in 1987 as a collection of satirical chronicles by journalist Guadalupe Loaeza . It provides a biting, often hilarious look at the obsession with status and "appearances" among Mexico City’s upper class during the 1982 economic crisis . Key Themes & Context
Directed by Alejandra Márquez Abella , the film adaptation is often described as a companion piece to Alfonso Cuarón’s Roma , showing the affluent side of the same historical period. NiГ±as Bien
The book (and subsequent 2018 film) captures the shock of the Mexican elite as the peso devaluated and their "untouchable" lifestyle began to crumble. "" (The Good Girls) is a landmark of
Loaeza defines the "niña bien" not just by wealth, but as a specific attitude—living in a bubble of luxury, shopping abroad, and strictly adhering to class-based social norms. The book (and subsequent 2018 film) captures the
The work remains a frequent subject of study in critical race theory and sociology for its exploration of "whiteness" and social mobility in Mexico.
'The Good Girls' is the Flipside of Alfonso Cuarón's 'Roma'
While appearing light and witty, the work is a deep critique of classism, racism, and the gendered expectations placed on wealthy women, who were often "trapped in their artificial microcosm". Notable Adaptations