La Misa como nunca te la habían contado. Un deslumbrante recorrido a través del sentido bíblico del sacrificio -desde la Creación hasta nosotros- acompañados por anfitriones de lujo: Eduardo Verástegui, el autor súper ventas Scott Hahn, el bicampeón de Fórmula 1 Emerson Fittipaldi, el Barrabás de La Pasión de Cristo Pietro Sarubbi, Raniero Cantalamessa... y por jóvenes 'besados' por Dios. Con increíbles imágenes de la naturaleza de Brasil e Islandia; rodado en la Playa de las Catedrales (Lugo) y en Matera (Italia).
| Título original: | EL BESO DE DIOS |
| Año: | 2022 |
| Fecha estreno: | 22-04-2022 |
| País: | España |
| Dirección: | P. Ditano |
| Guion: | P. Ditano |
| Productores: | Arturo Sancho y P. Ditano |
| Música: | Almighty y Andrea Bocelli |
| Dir. producción: | Alfonsina Isidor |
| Montaje: | P. Ditano |
| Fotografía: | César Pérez, Víctor Entrecanales y Dan Johnson |
| Mezcla sonido: | David Machado |
| Género: | Documental |
| Duración: | 76 min. |
| Distribuidora: | European Dreams Factory |
| EDUARDO VERÁSTEGUi | narrador (voz) |
| EMERSON FiTTiPALDi | entrevistado |
| SCOTT HAHN | narrador y entrevistado |
| PiETRO SARUBBi | actor, narrador y entrevistado |
| CARDENAL CANTALAMESSA | entrevistado |
| BRiEGE McKENNA | entrevistada |
| MARY HEALY | entrevistada |
| RALPH MARTiN | entrevistado |
| JOSÉ PEDRO MANGLANO | entrevistado |
| TONY GRATACÓS | entrevistado |
| BEA MORiILLO | entrevistada |
| FER RUBiO | entrevistado |
: Listeners on Album of the Year and Reddit frequently praise the song's "infectious beat" and atmospheric vocals, describing it as a "beautiful" and "moody" standout in the experimental pop scene.
: It opens with the line about an average person lying up to two hundred thousand times a day, framing the speaker's own "I'm fine" as just another necessary falsehood to get through the day.
Never Get Used To People -- Life Letters [Electronic] (2018)
: The track uses a haunting, minimalist Electronic production style to capture a mood of quiet desperation.
: The refrain—an urgent plea to "Kiss me until the rays aim at us" —symbolizes a desperate attempt to feel something genuine before time runs out or the "shot" of reality hits. Production and Reception
The song explores a deeply personal struggle with connection, pretense, and the repetitive nature of daily existence.
: Listeners on Album of the Year and Reddit frequently praise the song's "infectious beat" and atmospheric vocals, describing it as a "beautiful" and "moody" standout in the experimental pop scene.
: It opens with the line about an average person lying up to two hundred thousand times a day, framing the speaker's own "I'm fine" as just another necessary falsehood to get through the day.
Never Get Used To People -- Life Letters [Electronic] (2018)
: The track uses a haunting, minimalist Electronic production style to capture a mood of quiet desperation.
: The refrain—an urgent plea to "Kiss me until the rays aim at us" —symbolizes a desperate attempt to feel something genuine before time runs out or the "shot" of reality hits. Production and Reception
The song explores a deeply personal struggle with connection, pretense, and the repetitive nature of daily existence.