John Summit - Make Me Feel -

: High energy (95%) and extreme danceability (96%), characterized by deep sound design and sharp synths.

grammy.com/news/john-summit-interview-creating-debut-album-comfort-in-chaos">Comfort in Chaos , or perhaps see his upcoming ? Make Me Feel - song and lyrics by John Summit - Spotify John Summit - Make Me Feel

: The track arrived as Summit was solidifying his status as a "household name" in the festival circuit, following his breakout hit "Deep End." It captured the collective yearning of the dance community for clubs to reopen during the late stages of global lockdowns. Musical Profile Genre : Tech House. : High energy (95%) and extreme danceability (96%),

"Make Me Feel" represents a pivotal moment in John Summit’s rapid ascent from a Chicago bedroom producer to a global house music powerhouse. Released on , via Insomniac Records , the track became one of his most anticipated "IDs" after being teased extensively during his pandemic-era livestreams. The Story Behind the Track Musical Profile Genre : Tech House

: The song is a direct homage to the Chicago tech-house sound that raised him. It features a signature pulsating bassline, crisp percussion, and a sultry, pitched-up vocal loop that repeats the title's evocative phrase.

: Before its official release, fans across social media and livestreams begged for the track's debut, with Summit himself calling it his "most requested ID of all time" at the time.

: The repetitive lyrics ("It's the way you look at me / It's the way you make me feel") create a hypnotic, club-ready focus on physical and emotional connection.

About The Author

Michele Majer

Michele Majer is Assistant Professor of European and American Clothing and Textiles at the Bard Graduate Center for Decorative Arts, Design History and Material Culture and a Research Associate at Cora Ginsburg LLC. She specializes in the 18th through 20th centuries, with a focus on exploring the material object and what it can tell us about society, culture, literature, art, economics and politics. She curated the exhibition and edited the accompanying publication, Staging Fashion, 1880-1920: Jane Hading, Lily Elsie, Billie Burke, which examined the phenomenon of actresses as internationally known fashion leaders at the turn-of-the-20th century and highlighted the printed ephemera (cabinet cards, postcards, theatre magazines, and trade cards) that were instrumental in the creation of a public persona and that contributed to and reflected the rise of celebrity culture.

Recent Essays