: Cinematographer Paweł Dyllus uses a distinct color palette to highlight the shift in Mateusz's life. Scenes in his warm, loving family home are shot in earthy browns, while the clinical, often heartless environment of the care home is depicted in cold blues and greens.
The film is celebrated for its sensitive yet unflinching look at the "hidden" lives of people with physical disabilities. Io_sono_Mateusz_m1080p_2015_
The film is widely considered one of the best Polish movies of the 2010s. It received several prestigious awards, including: : Cinematographer Paweł Dyllus uses a distinct color