Femme Fatale(2002) 〈REAL〉

Years later, she returns to France as the wife of a high-ranking diplomat. However, her cover is blown when a paparazzo with a conscience, (Antonio Banderas), snaps her photo, putting her back in the crosshairs of the vengeful partners she betrayed. Why It’s a "Masterpiece of Visual Pleasure"

The Master of Misdirection: Revisiting Brian De Palma’s Femme Fatale (2002) Femme Fatale(2002)

The film opens with a sequence that many critics still cite as one of the best in cinema history: a high-stakes, nearly wordless at the Cannes Film Festival. Years later, she returns to France as the