Flavien Berger's album Dans cent ans (2023) is the final chapter of a "time machine" trilogy that explores the intersection of love, memory, and the future. While his first album Léviathan (2015) felt like a moment suspended in time and the second, Contre-Temps (2018), functioned as a flashback, Dans cent ans is framed as a "talisman" that launches into the future. The Story and Vision
: Berger originally planned for a trilogy of albums ending in "tan" ( Léviathan , Contre-Temps , Dans cent ans —though the latter breaks the pattern, he explains it was originally tied to a conceptual "rendezvous with the devil"). He uses "Satan" not as a religious figure, but as an etymological symbol for that which "divides" or acts as a mirror to humanity. Download File Flavien Berger - Dans cent ans (2...
The album was born during six months of isolation in the attic of an unfinished Belgian house. Berger describes the project as a meditation on "the vertigo of love and the collision of times". Flavien Berger's album Dans cent ans (2023) is
: The lyrics use surrealist imagery—like "pink snow"—to tell stories that feel both unknown and obvious. The centerpiece of the album is the 15-minute eponymous track "Dans cent ans," described as a saga where vocals and machines "converse" like a dream. Album Details He uses "Satan" not as a religious figure,
