An Approach To Jazz Harmony »

: Dominant chords are often "seasoned" with b9, #9, #11, or b13. These create maximum dissonance that makes the eventual resolution feel more satisfying.

Once the basic 7th chords are established, jazz musicians add "tension" to create more sophisticated textures. An Approach to Jazz Harmony

: Building chords in intervals of 4ths rather than 3rds. This creates an open, ambiguous sound popularized by McCoy Tyner and Bill Evans. 4. Reharmonization and Voice Leading : Dominant chords are often "seasoned" with b9,

: Playing a simple triad (like D major) over a different bass note (like C) to achieve complex jazz tensions easily. or compositional analysis ?

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